Exploring Landscape Art: Techniques and Inspiration | Sara Hodgson Art

Been thinking lately about the relationship between reference materials and final landscape paintings. After years of studio practice, I've noticed that the strongest pieces often emerge from understanding structure rather than merely copying what we see.

Last week, while developing a series of nature paintings from my collected reference photos, I found myself drawn to certain images over others. Not because they showed the most dramatic scenes, but because they revealed something essential about how landscapes are built.

When choosing reference material for landscape artwork, look first for what painters call "value patterns" - those clear separations between light and dark that give structure to your composition. Strong reference photos usually show these clearly, especially ones taken during early morning or late afternoon when shadows define form. These become the foundation of any strong scenic artwork.

In the studio, start by simplifying what you see. Rather than getting lost in details, block in three main values - light, middle, and dark. This helps establish atmospheric perspective - how elements change as they recede into distance. Notice how colors naturally become cooler and less distinct in the background. Understanding this progression transforms how you approach landscape painting techniques.

Pay attention to what draws your eye in reference material. Sometimes it's the way a shadow creates depth, or how a single element stands out against the sky. These aren't always the obvious dramatic moments, but they're often what make compelling impressionist landscape works.

Most importantly, spend time studying your reference before starting. My strongest outdoor landscape art comes from understanding the underlying structure, not from trying to capture every detail. Try making small thumbnail sketches first, focusing on basic shapes and values.

Remember, every landscape painting is an opportunity to interpret rather than just record. The key is learning to see past the surface details to find what makes a scene structurally compelling.